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Wayne Booth has selected, and has been inspired by, the works by some of our greatest writers on the art of growing older. In this widely praised anthology he shows that the very making of art is in itself a victory over time. Culled chiefly from great literary works, this unusual compendium of prose and poetry . . . highlights the physical and emotional aspects of aging. . . . The thoughtful commentary with which Booth connects the selections reminds readers that physical decay and fear of death are conditions common to us all. . . . Provocative."—Publishers Weekly "His blending of literature, humor, and crotchetiness will capture the interest of readers of all ages."—Booklist
"Funny . . . profound. . . . It is hard to resist the closing chapters, which celebrate the freedom from constraint and ambition, the permission to be crotchety, the joy of memory and perspective that come with age."—William March, Tampa Tribune "Booth puts a new spin on the worries many of us have about what's catching up with us. . . . Booth's book . . . [is] for both the younger readers and those of us who are nervously counting birthdays."—Sacramento Bee
- Sales Rank: #1462354 in Books
- Published on: 1996-12-15
- Released on: 1996-12-15
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .80" w x 5.50" l, .87 pounds
- Binding: Paperback
- 386 pages
From Publishers Weekly
Culled chiefly from great literary works, this unusual compendium of prose and poetry excerpts highlights the physical and emotional aspects of aging. Although Booth ( The Rhetoric of Fiction ), age 71, includes such cheery banal verse as "I Haven't Lost My Marbles Yet" (Minnie Hodapp), he has tailored this collection to encompass the unpleasant truths about aging. William Butler Yeats's "Sailing to Byzantium" and excerpts from Simone de Beauvoir's The Coming of Age offer realistic assessments of the perils and possible consolations of aging. The thoughtful commentary with which Booth connects the selections reminds readers that physical decay and fear of death are conditions common to us all. This provocative collection braces rather than comforts. Illustrations not seen by PW.
Copyright 1992 Reed Business Information, Inc.
From the Back Cover
Old Age is a territory that most of us can expect to enter and brave, however tentatively. In this anthology, Wayne Booth has selected, and has been inspired by, the works of some of our greatest writers--Shakespeare, Emily Bronte, Walt Whitman, and many more--on the art of growing older. Profound, witty, shrewd, compassionate, but never sentimental, he deals candidly with losses, fears, and lamentations, but then dwells on not just the consolations but the reasons for celebration.
About the Author
Wayne C. Booth (1921–2005) was the George Pullman Distinguished Service Professor at the University of Chicago. His many books include The Rhetoric of Fiction, A Rhetoric of Irony, The Power and Limits of Pluralism, The Vocation of a Teacher, and Forthe Love of It, all published by the University of Chicago Press.
Most helpful customer reviews
9 of 9 people found the following review helpful.
BoomerLit., Not So Light
By S. Medwin
Every baby boomer should have this book at his/her bedside as we creak and groan into the second half of our lives. Booth's literary selections are spot on (though the absence of multicultural voices is disappointing), and his commentary, as always, enriches the reading experience.Why waste time reading nursing home directories and spiritual guides when Booth has gathered all these great luminaries to light our way through the dark ages?
7 of 7 people found the following review helpful.
Literary Impressions of Aging
By Marlys M. Styne
To delve into "The Art of Growing Older: Writers on Living and Aging," by Wayne Booth (U. of Chicago Press 1992) is to discover, or rediscover, that the world's literary greats have had a lot to say through the centuries on the topic of aging. This book, which I recently discovered, is a journey through the literary world by respected University of Chicago literature scholar Wayne Booth (1921-2005), author of "The Rhetoric of Fiction" and many other books.
From Sophocles to Euripides to Milton to Wordsworth, Byron, Browning, T.S. Eliot, and far beyond, writers have dealt, as we all do, with the challenges of aging and/or the contemplation of it. Toward the end of his introduction, Wayne Booth quotes Cicero, who wrote this in his early sixties: "For me, writing this book has been so delightful that it has not only erased all the petty annoyances of old age but has also made old age soft and pleasant." As he wrote this book, Wayne Booth added, "At seventy one, which doesn't feel at all to me like old age, I can say the same to you: Join me, friends, in this distinctively modern adventure, the almost certain journey into old age."
Beautifully tied together by Booth's incisive commentary, the poems and prose excerpts in this book are divided into an introduction, "Feeling Older," and three parts: "Facing the Facts: Losses, Fears, and Lamentations," "Cures, Consolations, Celebrations," and "A Further Harvest." I find it interesting that the "Cures, Consolations, Celebrations" section is by far the longest, indicating Booth's own positive view of aging. I hope that's a universal trend.
W. B. Years, in "Sailing to Byzantium," laments in the first stanza, "That is no country for old men. The young / In one another's arms, birds in the trees / . . . Caught in that sensual music all neglect / Monuments of unageing intellect." However, he finds solace in his hope to escape , in artistic, non-human form, to a golden bough from which to sing of "What is past, or passing, or to come."
Lighter and more humorous views of aging are included as well. In "Life Begins at 80," Frank C. Laubach wrote, "If you survive until you are 80, everybody is surprised that you are still alive. They treat you with respect just for having lived so long. Actually they seem surprised that you can walk and talk sensibly. So please, folks, try to make it to 80. If you ask me, life begins at 80."
I like that fact that Booth democratically includes some less-than-famous writers: Minnie Hodapp, at the age of 92, wrote in "I Haven't Lost My Marbles Yet!" "I sometimes feel a bit bereft / Of youthful eyes and ears-- / But when I think of all that's left / My trouble disappears. / So life goes on without upset / `Cause I ain't lost no marbles yet." Great poetry? No, but I like Hodapp's spirit.
With an index and pages of notes and sources, this is a scholarly book, but its appeal should extend beyond literature majors. As Booth says, "You can make a good start on a reading program that can well last for the rest of your life by consulting first the books I praise as I go along and then the booklists provided by the ten works I list following the endnotes. . . . Spend a year on those lists, and first thing you know you'll have become an expert and people will begin calling you a gerontologist." However, if you're just looking for inspiration and interesting quotes about growing older, this book is the ultimate source.
5 of 6 people found the following review helpful.
Too many snippits
By E. Lees
I was excited to find this book as a possible text for a course I co-facilitate in a group of retirees. We had read some short stories by Simone de Beauvoir, and she is listed as one of the authors in this compendium. And I remember Wayne Booth's work from my graduate school days. I am very disappointed to find that the book does not include short stories as I had expected, but rather short (very short) passages from some of the major authors. For example, of the four pages devoted to Beckett, 2 are ABOUT Beckett and the other is a very very short work, but at least it appears to be entire. Simone de Beauvoir doesn't fare any better. There is a lot of poetry, which is OK, but doesn't really fit into what we have covered in this class over the past 2 1/2 years. This one is going straight to my library donation pile.
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